Film music influences how viewers relate to movie characters
Audiovisual sound
Musical reference in the form of brief notes, known as Leitmotif, which can be independent, derivative or derivative and which consists of a musical motif or fragment related to something specific and exclusive.
It sustains the structure of the narrative giving a sense of continuity to the film. It also serves in many cases as a neutral background to fill in empty passages and unify the montage of the different scenes.
One or more magnetic recording strips run along the edges of the film strip. When read by a device in synchronization with the projection, the sounds are generated in the same way as a cassette player would.
This is the one that uses the new digital sound reproduction systems on the screen, which require the use of different coding standards for sound reproduction. Some of the digital audio reproduction systems are MIDI, WAV, MP3 and OGG among many others.
How does film use the power of music to reach viewers?
The music reinforces the action on the screen by charging a scene with tension, joy or sadness to bring the emotion of the characters closer to the viewer. Music amplifies and explains the image in the most emotional sense.
How does sound influence cinema?
The sound is in charge of generating a suitable environment that encourages the viewer to continue watching the video, which helps to capture their attention and generate interaction with them. It also creates different sensations that contribute to the video being remembered and helps to complete and clarify any visual message.
What is the purpose of film festivals?
The fundamental tradition of film festivals is competition, that is, the consideration of films with the intention of judging those deserving of various forms of recognition. In contrast, some festivals may screen some films that are not part of the competition.
Types of sound in the cinema
The car of a Nazi commander turns into something resembling a quadriga when, running out of gas, it has to be pulled by a group of soldiers in order to move forward. With this image, culled from the footage of The Captain (Der Hauptmann, 2017), director Robert Schwentke creates a metaphor that describes all totalitarianisms. The reflection becomes deeper if one goes back to the beginning of the film and clarifies that the officer is actually an impostor followed by subordinates obeying personal interests. After more than a decade based in the United States tackling commissioned projects, the German director returns to Europe with this film about violence that opts for black and white so as not to focus attention on the blood. "I think my film would have been unbearable in color," said Schwentke himself about this film in which he deals with a subject practically ignored by German cinema, that of the Wehrmacht deserters in Germany near the end of World War II.
Sound in film examples
Thus, it is possible to concretize the definition, stating that sound for film and television, is the process by which the various sound components of an audiovisual product are planned, created and related.
This introduction of sound cinema became a challenge and a radical change in the way films were made. From noisy studios and filming in the midst of laughter, soundproofed studios and filming in which silence was the protagonist. Technical errors had to be circumvented and endured, such as, for example, an actor forgetting to speak into the microphone. In addition, the lighting had to be stronger, as the synchrony between audio and image required the cameras to shoot at higher speeds. This affected the comfort of the actors. In this way one could list many examples of the complications that generated the entry of sound to cinema. Nevertheless, people liked it.
Due to the large number of tasks that requires optimal sound work, there are several people involved in the process of planning, creation and assembly of the various sound components of an audiovisual product. Below are the most relevant positions and their function.
Sound Designer
The term film festival (also, film festival) is the usual name for film competitions, held in various cities or regions of the world. Films shown at festivals may be recent and, depending on the focus of the event, may include international and national premieres. Some festivals focus on a specific filmmaker or genre. Others specialize in short films of a defined maximum length. Film festivals are usually annual events. Some film historians, including Jerry Beck,[1] do not consider festivals as a platform for official film premieres.
The Oscars, the Goya Awards, the Cesar Awards and other similar events are not considered film festivals, as they do not include the pre-screening of the films in competition or the deliberation of a jury.
The Venice Film Festival began in 1932, making it the oldest event of its kind in the world. The Raindance Film Festival is the largest celebration of independent film in the United Kingdom and takes place in London in October.[8] The Raindance Film Festival is the largest independent film festival in the United Kingdom.
